The bride’s personal effects reflect her individual taste. We love how the individual pieces seem to belong together. It’s nice to place them next to the invitation, for an image that really says wedding.
Usually, we put the wedding ring against a plain background, letting it stand on its own. But here we liked how it looked against the fabric of those fine bride’s slippers.
Reading the grooms message at the start of the day. Weddings have both their private moments and their public ceremony.
Viewing the wedding dress. We aim to get wedding photos of the dress in the right window light.
A playful moment with the bridesmaids. Champagne always helps with playful moments.
Wedding photographers get a little experimental to give a slight altered perspective. Black and white has that arty vibe to it. As does framing the subject through a doorway.
The ring on the bride’s hand, because that is enough to say something,
The bride being attended by the bridesmaids. We might easily overlook how difficult it is to put those fine shoes when wearing a bridal dress.
With the parents. We like how black and white gives this a more formal wedding photography feel.
Wedding photographers took a few imaged of the bride with the bouquet, because the results came out so well.
Always good to show the world the train on the wedding dress.
And the groom’s ring, with some nice little accessories.
Solidarity with the groomsmen, all the better for the matching suits and boutonniere.
St. Mary’s Church in North Sydney, a classic century old stone building, for the actual wedding ceremony.
Is there anything more traditionally stylish for a wedding than a white Rolls Royce!
Inside St. Mary’s Church, a fine warm, bright yet austere vibe.
Leaving the church, now as a married couple.
Just a few wedding photos outside the Sydney Opera House, which is always a good background. We don’t often see a dog in formal wear, but we rather like it.
The wedding party on the steps of the Opera House.
Inside the Ovolo Woolloomooloo Hotel, for a very different, very modern vibe.
The bride spins around, and looks a little like the modern artwork behind her.
Always get some wedding photography of the Bride, and maybe the Groom, on a staircase.
Table settings for the wedding reception. We would be at a lost to describe these designs and the effect of the reflected candlelight. So ae are glad to capture it in the wedding photography.
A very splendid all white wedding cake. It must be difficult to both conceptualise and create those sculptured flower arrangements.
Those hanging lights are so effective, especially with the warm colours of the room.
Yet, even in black and white the reception room looked good. Or maybe it was just the atmosphere created by that dancing.
Cutting the wedding cake. Nice to frame the event symmetrically with those white lights.
The whole dancefloor, lights, smoke and that colour scheme. We never enjoy ourselves mora as wedding photographers than when we can take fairy-tale postcard images like this.
And a final closing image for the night as the bride and groom leave beneath a tunnel of the guests’ hands.
We all wish Sarah and Samuel the best for their future together.
